Poul Kjærholm: Timeless MinimalismFurniture by a Master of Modern Danish Design from the Oda CollectionClosed

Poul Kjærholm: Timeless Minimalism

Visiting Poul Kjærholm: Timeless Minimalism

Starting on Saturday, July 20, timed reservations will be required on weekends and national holidays.

Reservations will begin at 10 a.m. on Monday, July 8.

  • The admission fee is to be paid upon your visit.
  • We are not accepting reservations by phone or at the museum reception.
  • Once the reservation is complete, you may not change the date or time of your visit.
  • Please refrain from making reservations for more than one time slot or day.

[Notice]
To ensure a pleasant visit for all visitors and protect our displays, we will require timed reservations for Poul Kjærholm: Timeless Minimalism on weekends and national holidays, starting on Saturday, July 20. You will still be able to visit during regular weekday hours without a reservation. Reservations can be made on the Museum website beginning on Monday, July 8. Simply book a time slot for your visit and arrive at the Museum at your designated time.

Visitors without reservations may be asked to wait before being admitted or may be issued timed-entry tickets. Large crowds are expected during the final days of the exhibition, so we recommend visiting the exhibition as early as possible.

Exhibition overview

Chairs are among the most ubiquitous objects in our lives. Their forms seek a rational functionality in design, yet embody an almost sculptural and autonomous elegance. Chairs crafted in the last century by prominent architects and designers are timeless masterpieces that have continued to captivate enthusiasts and collectors alike in recent years.
This exhibition features one of the greatest furniture designers of 20th-century Denmark, Poul Kjærholm (1929–1980). Mid-century Scandinavian furniture is often characterized by warm wood tones. The works of Kjærholm in comparison stand out due to his preference for combining hard materials such as stone and metal, a choice that was unusual in his time. However, the rigid profiles never give off a cold impression; instead, they evoke a subtle tension in the space. Kjærholm’s timeless clean lines and minimalist beauty resonate with Japanese architecture, garnering continued support among Japanese enthusiasts.
The exhibition will showcase a collection primarily curated from the extensive research and chair collection of Professor Noritsugu Oda (Honorary Professor at Tokai University). It will be the first of its kind in Japan to exhibit Kjærholm’s most influential works. With the cooperation of Higashikawa Town in Hokkaido, home to the Oda Collection, it will introduce approximately 50 pieces of furniture and related documents. Kjærholm’s design philosophy and refined aesthetics of the furniture will be presented meticulously in an exhibition space designed by spirited architect, Tsuyoshi Tane (ATTA).

Dates
June 29 Saturday - September 16 Monday, 2024
Hours
10 a.m. - 6 p.m. (Open until 8 p.m. on Fridays of July 5, August 2, September 6, 13 and 14)
Admittance until 30 minutes before closing time.
Closed
Wednesdays (Except for September 11) and during August 13-16
Admission
Adults: ¥1,200
Visitors aged 65 or over with valid documentation: ¥1,100
Students (High school and college): ¥700
Admission is free for children in middle school or younger. Admission is free for disability passbook holders and up to one accompanying adult. Click here to access the discount voucher page.
Organizers
Panasonic Shiodome Museum of Art, The Tokyo Shimbun
Support
Royal Danish Embassy, Minato City Board of Education
Special cooperation
Higashikawa Town in Hokkaido, Oda Collection Organization, Asahikawa Furniture Industry Cooperative
Grant
Union Foundation For Ergodesign Culture
Academic support
Noritsugu Oda (Honorary Professor at Tokai University)
Exhibition design
Tsuyoshi Tane (ATTA)
Cooperation
FRITZ HANSEN, Panasonic Housing Solutions Co., Ltd.

Exhibition Highlights and Features

Ⅰ. ORIGINS Woodworking Meets Industrial Design

Utilizing their plentiful natural resource, methods of processing wood have developed particularly in Scandinavian countries including Denmark. It has cultivated remarkable aesthetics and functionality in both furniture design and architecture. Poul Kjærholm (1929 – 1980) was born and raised in northern Denmark. Although he began his career to qualify as a wooden furniture Meister, he attended the Danish School of Arts and Crafts in Copenhagen to study industrial design, where he became interested in modernist construction materials. Poul Kjærholm created prototypes using steel during this process, which would become his signature piece in later years. His approach to wood as a craftsman permeates his works, which are largely created with different materials, resulting in furniture designs that add a sense of warmth to their strictness. While influenced by interactions with a variety of people, Kjærholm sought an uncompromising sharp, clean design, ultimately pushing the boundaries of minimalism, which captures the richness in structure by peeling away the superfluous elements. The SectionⅠ focuses on Kjærholm's important early works and condenses the essence of his design philosophy.

Poul Kjærholm, PK 25, 1951, Oda Collection (Higashikawa), photo by Yukinori Otsuka
Poul Kjærholm, 1953, Photo courtesy of FRITZ HANSEN

Ⅱ. DESIGNS: 1951-1980 Furniture Architect

This exhibition showcases approximately 50 pieces of Kjærholm’s most influential works, including chairs and furniture, which were designed by Poul Kjærholm and manufactured in collaboration with various skilled craftsmen handling materials. Kjærholm’s furniture has a structural beauty akin to architecture itself, enhancing the beauty of the materials to its fullest. As a result, his works bring together contrasting aesthetic values such as combinations of materials with different textures including steel, leather, rattan, and stone, as well as visual simplicity and lightness despite their substantial weight. The exhibition examines how he came to design innovative furniture that resonates even to this day, through exploring material selection and detailing in structure, while inheriting the tradition of Danish furniture and being mindful of the relationship with architectural spaces.

Poul Kjærholm, PK 0, 1952, Oda Collection (Higashikawa), photo by Yukinori Otsuka
Poul Kjærholm, PK 22, 1956, Oda Collection (Higashikawa), photo by Yukinori Otsuka
Poul Kjærholm, PK 26, 1956, Oda Collection (Higashikawa), photo by Yukinori Otsuka
Poul Kjærholm, PK 91, 1961, Oda Collection (Higashikawa), photo by Yukinori Otsuka
Poul Kjærholm, PK 24, 1965, Oda Collection (Higashikawa), photo by Yukinori Otsuka

Ⅲ. EXPERIENCES Beloved Masterpieces

During his lifetime, Poul Kjærholm concentrated on mass-produced furniture, while also showing attention to details in material and structure, culminating in the creation of one-of-a-kind furniture designs. With an appreciation for the close relationship between furniture and architectural space, he demonstrates how every piece of furniture is closely linked to a specific place. Kjærholm’s furniture with this site-specific perspective has acquired universality by perfecting refined beauty that is composed solely of elements. It has earned acclaim across different lifestyle cultures and regions nowadays. Together with references from contemporary architecture, the timeless masterpieces reveal themselves through approximate 140 graphic illustrations (documented as inset) by Noritsugu Oda, portraying the projects including conceptual sketches by Kjærholm that never saw the light of day. We hope you enjoy also the exhibition ‘The Rouault Collection with Masterpiece Chairs’, the museum's first exhibition combining the Rouault Gallery and a special exhibition.

Poul Kjærholm, PK 9, 1960, Oda Collection (Higashikawa), photo by Yukinori Otsuka