Gustave Moreau: Salomé and the femme fatale

General Information

Dates
Apr. 6 – Jun. 23, 2019
Hours
10 a.m. – 6 p.m. (Admittance until 5:30 p.m.)
* Open until 8 p.m. (admittance until 7:30 p.m.) on May 10 and Jun. 7.
Closed
Wednesday (Except for May 1, Jun. 5, 12 and 19)
Admission
Adults: ¥1,000
Visitors aged 65 or over carrying proof of age: ¥900
Students (College): ¥700  
Students (High / Middle school): ¥500
Admission is free for children in primary school and younger.
Groups of 20 or more will receive a ¥100 discount per person (not including those aged 65 or over).
Admission is free for disability passbook holders and up to one accompanying adult.
Free admission is offered to all visitors on International Museum Day (May 18).
Organizers
Panasonic Shiodome Museum of Art, NHK, NHK Promotions, The Yomiuri Shimbun
Support
Embassy of France in Tokyo / Institut français du Japon, Minato Ward Board of Education
Sponsorship
Mitsumura Printing Co.
Cooperation
Japan Airlines
Special cooperation
Gustave Moreau Museum

Exhibition overview

Gustave Moreau (1826–1898) was a master of the Symbolist movement, known for his portrayals of mythological and biblical subjects. Late 19th century France was a time of developing industry and the emergence of Realism and Materialism. It was an era when Moreau strove to seek truth by capturing a fantastical inner world on canvas. This exhibition features about 70 oil paintings, watercolors, and sketches on loan from the Gustave Moreau Museum in Paris, focusing primarily on Moreau’s female portraiture. Salomé gazes at the specter of John the Baptist’s head in the masterpiece The Apparition, while The Unicorns brings to life the titular magical creature—a symbol of purity. From femme fatales in myths and the Bible leading men to their death, to vulnerable women seduced into their own downfall, to Moreau’s mother and his lover, this exhibition offers an exploration of the stories behind these women and Moreau’s relationships with them, examining his artistic inspiration from a new perspective.